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- Talkcast tonight, 10pm ET: Celebrating independence
The barbecue grills are fired up, the beer is cold and the fireworks are hot -- which means it's the perfect night for a holiday weekend talkcast! We'll be talking Mac OS X 10.7, as Lion begins to roar in earnest with a GM seed in the wild. If you're already running Lion, you probably can't talk about it... but we're happy to hear from you anyway.
Your calls and questions help make the show the best it can be. To participate, you can use the browser-only TalkShoe client, the embedded Facebook app or download the classic TalkShoe Pro Java client; however, for maximum fun, you should call in. For the web UI, just click the TalkShoe Web button on our profile page at 4 HI/7 PDT/10 PM EDT Sunday. To call in on regular phone or VoIP lines (Viva free weekend minutes!): dial (724) 444-7444 and enter our talkcast ID, 45077 -- during the call, you can request to talk by keying in *8.
If you've got a headset or microphone handy on your Mac, you can connect via the free Blink or X-Lite SIP clients; basic instructions are here. (If you like Blink, the pro version is available in the Mac App Store.) Skype users with SkypeOut credit can call the main TalkShoe number. Talk to you tonight!
Talkcast tonight, 10pm ET: Celebrating independence originally appeared on TUAW - The Unofficial Apple Weblog on Sun, 03 Jul 2011 18:30:00 EST. Please see our terms for use of feeds.
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Переслать - Lion to allow two virtualized instances of Mac OS X per machine
The virtualization story for Mac OS X is about to change dramatically, and for the better, as Lion's licensing changes the rules for virtual machines.
For some enterprise deployments, virtual Mac OS X environments are the Holy Grail: giving access to Mac-only applications on demand without having to supply Mac hardware on a one-to-one basis. While the vanilla version of Mac OS X has been theoretically virtualizable since the Intel transition (and in fact can be run on a virtual machine now under the right circumstances), the licensing agreement for Mac users up until Mac OS X 10.5 Leopard didn't allow virtual Macs, full stop.
Starting with Leopard, Apple began to permit limited virtualization of Mac OS X, with two major caveats: you could only run VMs on Mac hardware (no blade server racks full of HP gear serving out Mac desktops), and you needed a Mac OS X Server license, with a steep price. Under these conditions, virtual Macs were a luxury few took advantage of.
Now Lion's new EULA is set to change all that, as reported by MacRumors. 10.7 users will be permitted to run one or two virtual Mac instances on each physical Mac, presumably using existing virtualization tools like VMware Fusion, Parallels, VirtualBox or others. This is bound to be a big help for developers, IT managers and others who need to keep a known-good test environment or try out new apps in a controlled fashion.
Note that virtualized Macs aren't the same thing as virtual desktops, which Lion is also slated to support; that second feature means that you can remotely connect to your user account and your desktop 'underneath' a user who is currently logged in to the machine. A similar capability was baked into Snow Leopard, but it required some hairy workarounds to use effectively; the Lion version will be single-click friendly.
Lion to allow two virtualized instances of Mac OS X per machine originally appeared on TUAW - The Unofficial Apple Weblog on Sun, 03 Jul 2011 15:30:00 EST. Please see our terms for use of feeds.
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Переслать - Apple's latest iMac receives glowing review from Computerworld
Apple's iMac is a popular and speedy desktop all-in-one computer, and Mac aficionados have been in love with them since 1998. The latest edition was introduced on May 3, 2011, with Intel's Sandy Bridge processor and lightning-fast Thunderbolt I/O. Now Computerworld has weighed in with a review of the new iMac that is absolutely glowing.
Computerworld writer Michael deAgonia was impressed with the speed of the new iMac, noting that a complex 50-minute iMovie project he uses as an informal benchmark took an hour and eight minutes to render on the previous top-of-the-line iMac, and is now done in just 48 minutes. deAgonia recommends that potential buyers go for all of the HD capacity they can, since Apple is now using a proprietary hard drive in the iMac that can only be upgraded by Apple-certified techs.
He also makes a recommendation that I thoroughly agree with -- if you're about to purchase one of the new iMacs, get a Magic Trackpad instead of the more traditional Magic Mouse. Why? The soon-to-be-released Mac OS X Lion makes use of many gestures that make your day to day computing a snap. deAgonia also had nothing but good things to say about Thunderbolt, although he had no access to Thunderbolt-equipped peripherals during his testing.
The review is a good read for the holiday, and for anyone who is on the bubble about purchasing an iMac, it's highly recommended.
Apple's latest iMac receives glowing review from Computerworld originally appeared on TUAW - The Unofficial Apple Weblog on Sun, 03 Jul 2011 14:00:00 EST. Please see our terms for use of feeds.
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Переслать - Dear Aunt TUAW: Will there be a TV from Apple?
Dear Aunt TUAW,
Is there any chance Apple will release an actual TV? I'm considering the ATV2 but its close enough to September should I wait?
Your loving nephew,
Sean
Dear Sean,
Auntie considers the likelihood of Apple releasing an actual consumer electronics TV to be as likely as Donkey Kong giving up bananas, or red- and blue-state Senators crossing the aisle to indulge in a festival of love and mutual appreciation, or Boston baseball fans giving up on hating the Yankees.
Will Apple TV itself, i.e. the box that connects to real TVs, get a bump? Er, possibly. Is it likely? Probably not. Will the features be so awesome that you will regret having laid out $99 on the previous generation if such a mythical product does appear? Again, probably not.
The Apple TV 2 has re-defined itself into the must-have product for accessorizing your iOS device to the living room. With it and iOS 5, you'll be able to wirelessly mirror movies, music, and games. You'll be able to give Keynote presentations, product demos and more. And you can get that all with the current Apple TV 2 box and it will be ready to use in September when iOS 5 debuts with those mirroring features.
So should you wait until September? Sure. Why not? Even if you don't need Apple TV 2 now, you'll really want to pick one up when iOS 5 goes live. And in the unlikely case that Apple introduces a new generation, the old one will drop from very-affordable to dirt-cheap.
Hugs,
Auntie T.
Dear Aunt TUAW: Will there be a TV from Apple? originally appeared on TUAW - The Unofficial Apple Weblog on Sun, 03 Jul 2011 12:00:00 EST. Please see our terms for use of feeds.
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Переслать - 5 apps for Independence Day
This is an important holiday weekend for both U.S. and Canadian citizens. July 1 was Canada Day and July 4 is Independence Day in the U.S. Here are five apps to celebrate your patriotism:
U.S. Pocket Reference ($1.99)
This app puts all the fine details and documents of U.S. politics in your pocket. Contents include a copy of the Declaration of Independence, U.S. Constitution, including the Bill of Rights and other amendments, the Emancipation Proclamation, how the different branches of the U.S. government works, information on landmarks, lyrics to national songs and more. It's a great reference for students, those new to the U.S. or those wanting to brush up on their American history.
iSparkler Gyro ($0.99)
Wave a sparkler without burning your fingers. This app will let you create your own sparkler from an array of colors. When it comes time for fireworks, you can wave your iPhone instead of a little stick. You can save and share your customized sparkler and even set your own patriotic music to it.
Fireworks ($0.99)
Speaking of fireworks, if you can't make it to one of the big displays in your area, you can create your own for your iPhone or iPad. This particular app allows you to create a fireworks show and set it to music in your iTunes library. If you don't fancy a U.S. location for your particular fireworks show, you have 15 different global locations (and one extraterrestrial one) where you can virtually teleport yourself to instead.
Phantom Regiment ($1.99)
It's not Independence Day without the music of John Philip Sousa and other soul-stirring marches. If there's one near you, it's a great time to take in a drum and bugle corps show. Summer is the high season for this activity as drum corps around the nation compete leading up to the annual Summer Music Games in August, this year in Indianapolis. Phantom Regiment, founded in 1956, is one of the top drum corps in the world. Its app has current and historic videos of the corps, lists of events and more. Phantom isn't the only drum corp to have an app. Check to see if your local drum corps has a listing on iTunes.
Coleman Camping Cookbook and Meal Planner (Free)
This weekend is a favored one for having a picnic or camping out while taking in fireworks and outdoor concerts. Coleman, known for its line of grills and camping equipment, has a free app that allows you to plan an outdoor meal based on the ingredients at hand and the method of preparation. There's a number of recipes within the app, and you can add your own. You also can generate a grocery list based off the recipes and a list of equipment needed. You can have the app generate menus for you based on the length and number of people on your trip.
5 apps for Independence Day originally appeared on TUAW - The Unofficial Apple Weblog on Sun, 03 Jul 2011 10:00:00 EST. Please see our terms for use of feeds.
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Переслать - First-Person Final Cut Pro X, Day Three: Media Management
First-Person Final Cut Pro X is the unvarnished story of one pro editor's week-long introduction to the new Final Cut.
Today, we discuss media management in FCP X, or the complete lack thereof.
So far this is the most frustrating thing about this program. Like many FCP X features, it's designed to keep you from screwing up, and as a result will no doubt screw you up royally.
First: understand that what we've been calling a "Project," FCP X calls an "Event." You make a new Event, import footage into it, organize footage within it, and try not to think about slowly aging aliens being held captive in Alaska on a really stupid TV show. I guess we all failed that one.
FCP X also makes a corresponding Event folder on your internal drive [or on any other drive you have connected -Ed.]. If you like, when you import files you can tell it to copy them there. The nice thing about this is that it will happily let you start editing and do the copying in the background, and the transcoding as well if necessary.
Now, my first thought was, wow! That's awesome! But I have to admit my next thought was, damn! There goes my last coffee break excuse!
The trouble here is that you have no real control over where this Event folder is.
It seems to always go to your username>Movies>Final Cut Events on your internal drive, which of course is a horrible place for your media. It's like Avid, except that on Avid at least you could choose what freaking drive to put everything on. Here you don't even seem to have that.[Matt's first impression here was incorrect. It is possible to import media directly to an Event on any attached drive, to move Events with drag and drop in the library, or use the File menu's Move command to move the Project and the Events together. FCP X's media management approach is so different from FCP 7 that many pro editors, like Matt, are not sure where to begin. -Ed.]
So you might think, okay, I'll just tell FCP X not to move my media to the Events folder, I'll organize it myself. Except if you have to transcode it (think XDCAM), or render it, all those files will go there automatically. How annoying is that?
As it turns out, not nearly as annoying as this: move or rename a media file, and it's lost forever. FCP X has no Reconnect Media command. That's right, one of the things you hated most about Avid has now been adopted by Apple. And it's worse than that: modify the file externally and FCP X won't be able to find it! Yes, folks, bring a file into After Effects, add some zip zap zoom, save it back to the exact same location with the same filename and your super-advanced editing system will pretend it's offline!
Now for some sort of good news. There has been a lot of press about how you can't move projects around. This doesn't seem to be true. You can create a Project (which is what we've all been calling a Sequence), select the project, choose File>Duplicate Project, and have FCP X copy the entire project and its associated Event (meaning all its associated clips) to another drive. I did this successfully. [You can also simply move the Project + Events, rather than creating a Duplicate project. -Ed.]
In fact -- bonus -- it does this in the background too. So you can keep editing while it moves your files anywhere in the universe!
And if you do that, then your Event and Project get to be on whatever drive you want. If you transcode or render anything, those files will go to that drive. So it seems to me that as a workaround we might want to do something like create an Event, import one file, create a Project, duplicate it to the proper drive, and then import the rest of the footage.
It seems to me that this would totally work for networked editing, because FCP X will find all Events and Projects on any drives connected to the system (without even rebooting, thank you). So there's a big plus.
One thing that really worries me about this whole Event/Project thing is that the terminology itself seems pretty revealing. Apple says this is a professional product, but the terminology is clearly from iMovie and so are the keyboard shortcuts. Doesn't that say that it's more important that iMovie users feel comfortable with this product than FCP 7 users?
Tomorrow, for the Fourth of July -- the fourth installment in this series: trimming. I think you guys are going to like most of what you hear on that subject. Stay tuned.
Professional film & video editor Matthew Levie is based in San Francisco; he produced and edited the documentary Honest Man and writes Blog and Capture. First-Person Final Cut Pro X is the unvarnished story of his week-long introduction to the new Final Cut.
Note that all opinions and assessments of FCP X expressed here are Matt's own, not TUAW's, and that any misconceptions or misunderstandings of FCP X features represent Matt's hands-on first reactions. -Ed.
First-Person Final Cut Pro X, Day Three: Media Management originally appeared on TUAW - The Unofficial Apple Weblog on Sun, 03 Jul 2011 08:00:00 EST. Please see our terms for use of feeds.
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Переслать - First-Person Final Cut Pro X, Day Two: Learning the Ropes
Since my traumatic first day, I've been cutting a small project in FCP X. It's growing on me in some ways and driving me bonkers in others. The good news is that, unlike last night, I don't think I'll wake up tonight with night sweats after having feverish nightmares about my editing software.
Basic editing is not that different. I kind of like the new "skimmer," which is kind of like a second playhead, and you can make a three-point edit just like you used to.
I need to get re-accustomed to some basic functions here. For instance, you can "overwrite," "overwrite just audio," and "overwrite just video." That could be a plus, because frankly, patching is a pain in FCP 7 and doing it from the keyboard was always awkward.
The trick is that I only found those last two commands when I tried to reprogram my keyboard, because they're not on any menu and I couldn't find them in the docs. So I suspect there's a lot of things that are in the program, but to use them you'll have to reprogram your keyboard. I took a couple of minutes and reprogrammed as much of my keyboard as possible to vaguely resemble FCP 7.
I found a lot of things that I thought weren't there: the scopes, for instance. I've never been so happy to see a waveform monitor!
I have to say that the magnetic timeline's "primary storyline/connected storyline" paradigm just does not work for me yet. The concept is this: think of a documentary. The interviews are your "primary storyline," and the music, titles, and B-roll are your "connected storylines."
In theory this is very cool, because a particular piece of B-roll is "connected" to a particular piece of interview in a particular place, and you can reorganize the interviews and the associated B-roll comes with them.
In practice it's really annoying. It assumes that you always have a block of footage that starts and ends with a cut-in video and audio simultaneously, which I actually almost never do.
If you use a B-roll clip to "bridge" two interview clips, is this clip connected to the end of the A clip or the beginning of the B clip? What about the music? If I connect it to the first clip in a montage, and then I decide I want to swap the clips around, the music winds up in the wrong place.
Maybe it's just a matter of getting used to it. Right now I feel like I'm dragging a lot of things around in a really imprecise way and it makes me uncomfortable to feel like the project is more or less what I want rather than exactly spot-on.
The magnetic timeline also irritates me because I'm a strong proponent of track discipline. If I put something on V2, it's there for a reason. But in the magnetic timeline, items on subordinate tracks just jump up and down all over the place. Your music might be towards the top here and towards the bottom there. I suspect that in a complicated project, it will become impossible to find a given element.
Something I really like: auditions. You can put a clip in the timeline, and then put an alternate clip in the same place. Then you can swap out your "picks" very easily. Imagine having two very different reaction shots on take 2 and take 3, or two voiceover reads, and being able to have them both in the timeline simultaneously. That could be very useful in session with an indecisive client.
Something I despise: the loss of Reconnect Media. Not having that on Avid was one of the worst things about it, and losing it on FCP hurts. A file suddenly went offline for no reason -- I hadn't moved it -- and I was just hosed. That sucks.
Professional film & video editor Matthew Levie is based in San Francisco; he produced and edited the documentary Honest Man and writes Blog and Capture. First-Person Final Cut Pro X is the unvarnished story of his week-long introduction to the new Final Cut.
Note that all opinions and assessments of FCP X expressed here are Matt's own, not TUAW's, and that any misconceptions or misunderstandings of FCP X features represent Matt's hands-on first reactions. -Ed.
Part III coming up: more on media management.
First-Person Final Cut Pro X, Day Two: Learning the Ropes originally appeared on TUAW - The Unofficial Apple Weblog on Sat, 02 Jul 2011 15:00:00 EST. Please see our terms for use of feeds.
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Переслать - Bloomberg: Samsung drops US lawsuit against Apple
It was done quietly Thursday, but the news is just getting out today. Bloomberg News says Samsung has dropped the U.S. lawsuit claiming Apple had copied many Samsung innovations in the interest of "streamlining" the legal hornet's nest between the two companies.
The Samsung lawsuit was brought in April as a response to an Apple lawsuit, still pending, that claims Samsung's mobile phones and tablets have copied Apple designs. It appears Samsung is doing this to consolidate its legal pleadings, as the US suit was done to quickly establish Samsung's alleged case against Apple. You can read some detailed analysis of this case from the Foss Patents blog.
The legal paperwork continue to mount. Last Tuesday, Samsung asked the International Trade Commission to block several Apple devices for sale due to patent infringements.
Bloomberg: Samsung drops US lawsuit against Apple originally appeared on TUAW - The Unofficial Apple Weblog on Sat, 02 Jul 2011 13:20:00 EST. Please see our terms for use of feeds.
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